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Douglas Engelbart presents at a computer workstation with a large screen, audience in silhouette, cel-shaded comic art. Text: '9 DÉCEMBRE 1968: MOTHER OF ALL DEMOS'.

Douglas Engelbart presents at a computer workstation with a large screen, audience in silhouette, cel-shaded comic art. Text: '9 DÉCEMBRE 1968: MOTHER OF ALL DEMOS'.
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génére : Historic 1968 San Francisco Civic Auditorium stage, Douglas Engelbart in white shirt and dark tie sitting at groundbreaking computer workstation, large projection screen behind him showing early graphical user interface with cursor and windows, wooden computer mouse prototype prominently displayed on desk in foreground, audience of 1000 engineers in silhouette watching in awe from theater seats, vintage 1960s technology equipment with cables and monitors, retro-futuristic atmosphere, cel-shaded comic book art, thick black outlines, Borderlands style cell-shading, Gearbox Software aesthetic, gritty hand-painted texture, graphic novel style, high contrast, cinematic mid-angle shot capturing both Engelbart and the revolutionary display screen, volumetric stage lighting cutting through auditorium darkness, epic historical moment atmosphere, hyper detailed, 8k quality, Unreal Engine 5 rendering, sharp clean lines, dynamic composition, warm amber and cool blue lighting mix, stylized dramatic shadows, 1960s tech aesthetic with vintage computer terminals, slightly desaturated color palette with accent on screen glow, deep depth of field, subtle film grain texture, animated documentary film still quality. Text overlay at top center: "9 DÉCEMBRE 1968 : MOTHER OF ALL DEMOS" in bold retro-futuristic font inspired by 1960s technology, two lines, white and cyan text with slight digital glitch effect, tech innovation aesthetic. Secondary visual elements: wooden mouse prototype See more

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