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A sepia-toned, hand-drawn sketch of a stage scene with curtains, featuring a man, two women, a bird on a music note, two theater masks, a small house, a distant town, and a tilted trophy. Text 'AWASISNAK ACIMOWINA' and '1939' are visible.

A sepia-toned, hand-drawn sketch of a stage scene with curtains, featuring a man, two women, a bird on a music note, two theater masks, a small house, a distant town, and a tilted trophy. Text 'AWASISNAK ACIMOWINA' and '1939' are visible.
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Scene: Central stage curtain slightly open, revealing a symbolic chalkboard with faint Indigenous words and patterns barely erased. Characters (symbolic, not literal): Beth: small bird perched on a musical note or book (represents her singing her mother’s song). Evelyn: herbs or medicinal plants in her hands, glowing slightly (represents Indigenous medicine). Joe: small home icon or river near his feet (represents returning to family/home). John: cracked theater mask floating above (represents acting/propaganda). Susan: flowing ribbon or veil moving toward a distant town (represents marriage and departure). Trophy: tilted, worn, and symbolic, floating or resting on stage corner (represents struggle for recognition). Stage background: neutral tones, woven patterns subtly integrated into the curtain, raindrops falling faintly. Style: hand-drawn sketch or ink-on-paper look, earthy tones, symbolic rather than realistic, minimalistic but rich in meaning, lots of empty space for imagination. Extras: numbers like “1939” subtly integrated into patterns, abstract Indigenous symbols scattered softly across the curtain or chalkboar See more

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