Hazy, desaturated painting of two figures, an adult and a child, seen from behind in a muted room looking towards a faint light.

Cover Description for Big Sister The cover is quiet, emotionally heavy, and intimate rather than dramatic. A muted, desaturated color palette dominates—soft grays, washed-out blues, and hints of sepia—suggesting memory, distance, and unresolved pain. At the center is an illustration or photograph of two young girls seen from behind or in partial silhouette. The older sister stands slightly ahead, taller and more defined, while the younger one lingers a step behind, smaller and partially obscured, emphasizing imbalance and emotional separation. They are close in space but not touching. The setting is deliberately minimal: an empty hallway, a childhood bedroom doorway, or a suburban street fading into blur. The background feels hazy, almost fogged, as if viewed through memory—details present but softened by time. Light falls unevenly: the older sister stands in shadow, while a faint, fragile light brushes the younger sister, hinting at resilience and survival. The title Big Sister appears in simple, understated typography—clean, serif or handwritten-style lettering—placed near the top or center, leaving room to breathe. The font feels personal and raw, not decorative. The author’s name is smaller, placed at the bottom, unobtrusive. There are no smiles, no faces fully shown. The emotional weight comes from posture, distance, and silence. The overall impression is one of honesty, vulnerability, and quiet strength—inviting the reader into a deeply personal truth about family, See more