Three abstract female figures, rendered in fluid minimalist lines, walk through a barcode landscape. The barcode stretches vertically like prison bars or societal codes. Above the barcode, a faint architectural silhouette appears—an arched structure with broken windows, rendered in muted gray tones. This structure symbolizes the forgotten brothel of Abadan, evoking memory, marginalization, and critique. The women are faceless and graceful, some merging with the bars, others resisting. The palette is stark: black, white, and muted grays. The tone is poetic, politically charged, and emotionally See more