A classic 1940s pulp noir scene in stark black and white with dramatic chiaroscuro lighting. A voluptuous femme fatale with Veronica Lake-style peek-a-boo waves leans against a weathered brick wall, her curves accentuated by a scandalously tight, low-cut dress (the ONLY color element - a vibrant, blood-red in 'Sin City' style). She holds a cigarette in a long silver holder, smoke curling through the slanted light of a flickering streetlamp that casts jagged shadows across her face. The background reveals a rain-slicked alley with: Thick rolling fog Broken 'HotEL' neon sign sputtering A silhouetted figure watching from the shadows Glinting pistol barely visible in her garter belt Rendered in authentic pulp magazine style: ◾ High-contrast crosshatching like Robert McGinnis ◾ Visible halftone dots and yellowed paper texture ◾ 'Good Girl Art' proportions with exaggerated hips/bust ◾ Thin, expressive ink lines with brush stroke imperfections ◾ 1950s paperback cover composition Extra details: Her red dress reflects light like liquid A pearl necklace with one broken strand Cheekbone shadows sharp enough to cut paper Art Deco architectural elements in background Slightly overinked for that cheap pulp printing effect See more