A young blonde woman poses in a typical mirror‑selfie stance (hand at hip, chin slightly tilted) but is photographed from the front — she is not taking a selfie. She stands confidently on a marble platform entirely covered with stacked cream cakes and layered desserts. The scene is cinematic and daylight‑bright in a vintage wooden room with candles; an antique round mirror hangs in the background, reflecting soft candlelight. She wears a white leather jacket, a black tank top, ripped black skinny jeans, and white high‑heeled peep‑toe shoes. Detailed shoe-and-cake description (visible, realistic, focused): The right and left shoes stand close together, slightly angled toward the camera; both heels are slightly raised so weight rests on the balls of the feet and toes. The peep‑toe fronts are partially sunk into the soft cake layers: the top 3–5 cm of the soles and the front edges of the heels are covered with crushed cream, crumbs, and thin glazes. Fine creamy strands and larger smears cling to the sides of the shoes, unevenly distributed — more on the right toe, slightly less on the left — to create asymmetry and realism. Several cake layers are compressed where the shoes press down; visible strata (sponge, cream, berry filling) are smeared, with crumbs sticking to the shoe seams and the white patent areas. Near the shoe soles are small puddles of lemon glaze and buttercream, with individual glaze droplets on heel edges. Foot impressions: gentle depressions in the top cake See more