Ultra-realistic oil painting in landscape orientation (16:9). Scene is viewed from a high sandstone ridge at golden hour, with long shadows stretching across a vast desert basin below. Foreground: a lone cloaked figure stands beside a weatherworn Mesopotamian obelisk etched with forgotten script. Their posture is reverent, still — one hand gently rests on the marker, the other shielding their eyes from the blazing sun. Their silhouette is framed against the blinding sands below. Midground: a winding camel caravan with riders and cargo moves slowly across the wadi floor. Some riders have halted, pointing toward the horizon in awe, while others bow their heads. The cracked earth beneath them glows with residual heat, and a distant sandstorm coils at the far end of the valley. Background: cresting the dune wall beyond is the Sand Warden, a titanic feminine colossus formed of swirling sand, layered striations of ochre and gold, and fragments of ruined temple stone. Only her upper torso and head are visible above the horizon. Her robes trail like collapsing dunes in the wind, and her expression is distant — focused beyond this world. Her arrival casts a massive shadow across the valley, reaching the edge of the viewer's perch. Mirage distortion shimmers along her form as wind lifts sand into ethereal streamers that dissolve into the sky. Lighting: high-contrast golden light with deep indigo shadows in the stonework, heat haze over the basin, and atmospheric perspective fading See more