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A maximalist portrait of a heavyset clown with red hair and smeared makeup, wearing a colorful, patterned costume with hamburgers on the bib and holding fries, standing in a ball pit.

A maximalist portrait of a heavyset clown with red hair and smeared makeup, wearing a colorful, patterned costume with hamburgers on the bib and holding fries, standing in a ball pit.

A maximalist comedy tableau of a heavyset clown wearing a mirror-gloss compression legging printed with popsicles and hotdogs arguing—cartoon faces and tiny onomatopoeia bubbles—layered over diagonal stripes + polka dots. Over it: a bib with ruffled lace and glitter sequins, printed with hamburgers diving into a ball pit. A short transparent vinyl cape filled with real ball-pit balls (primary colors) bounces behind him. Shoes: red patent slip-ons with mini ketchup pumps on the heels. Matte-green rubber gloves. Makeup partly smeared, a few crumbs on cheeks; wispy mustache visible. Props: a wobbling tray of fake fries tipping mid-spill; floppy party straws used as shoulder epaulets. Setting & Mood: garish indoor play-hall vibe; floor strewn with dozens of plastic balls; bright color riot with a dark comic edge; sterile background lighting in the distance. Fully clothed, non-erotic. Camera & Composition: extreme low angle (frog’s-eye) with 24 mm wide; f/4 for environment clarity; balls streak through foreground in motion blur while the clown looms above. Lighting: big soft key from camera-right; snappy specular kick on vinyl cape; overhead rim separating balls from background. Pose & Expression: legs wide, elbows out; mouth half open like caught red-handed; one hand clutching the bib; anxious, comedic shock. Post: punchy saturation; film grain; light vignette; crisp micro-contrast on spandex/vinyl/balls. See more