Three abstract black-and-white pencil sketches on DIN A4 format, showing three powerful, feminine, sculptural figures. The figures are highly abstract and organic, built from smooth, rounded volumes with soft, flowing transitions. The bodies function as carriers of drawn forms and patterns rather than realistic anatomy. Femininity is expressed through exaggerated proportions: wide hips, large rounded torso, and prominent circular or spiral-shaped chest forms. No realistic anatomy is visible: knees, feet, elbows and joints are only vaguely indicated or fully dissolved into soft shapes. Heads are simple ovals or spheres without facial features. Figure 1 (left): a seated figure resting on an abstract, rounded, oval-shaped base. Legs appear as merged, rounded masses. Figure 2 (center): a dancing figure with expressive movement. One leg is lifted and only suggested through curved volume. Arms extend outward in an ornamental, flowing manner. Figure 3 (right): a floating or flying figure, diagonally positioned in space, completely weightless. Surface design: The bodies are covered with a dense variety of drawn forms and symbols that adapt to the curves of the body. These include lines, stripes, circles, dots, spirals, geometric shapes, abstract symbols and freehand marks. The painted forms follow the body’s contours, overlap, vary in scale and create rhythmic visual movement across the figures. Shading is minimal and soft; the emphasis lies on clear outlines, graphic surface See more