A four-panel album cover with a dark, grainy aesthetic. Top-left and bottom-left show silhouetted figures against bright light with 'MICHAEL' and 'WILLIAM' text. Top-right shows a hand with lights reaching a CRT monitor with a retro sunset, text 'WILLIAM'. Bottom-right is a silhouetted figure in a spotlight.

The entire album cover is presented as a composite of four realistic, yet deeply flawed photographs, arranged in a grid. Each image looks like a degraded, blurry snapshot taken with an old film camera or a low-resolution digital device, creating a powerful found-footage horror aesthetic. The photos are grainy, with color bleeding at the edges and a soft, unsettling focus, as if capturing moments that were never meant to be seen. Top-Left Panel: Michael This looks like a heavily overexposed photograph taken on a sunny day with a cheap camera. The sky is almost completely blown-out white, with only a hint of pale blue at the edges. Michael's figure is a tall, wavering silhouette, soft and slightly out of focus, making his unnaturally thin limbs seem even more disturbing, like a cryptid caught on camera. The intense light source (the Scooper's flash) creates a hazy, dreamlike lens flare that bleeds into his form, making it impossible to see any clear details of his decaying body—just the unmistakable shape of something broken and wrong. Top-Right Panel: William This panel is a grainy, dark photograph of William's hand, taken indoors against the glow of an old CRT monitor which displays a pixelated, 8-bit sunset. The hand is captured with a slight motion blur, making the gesture of control seem urgent and fleeting. The low light of the room makes the details of his hand indistinct, a dark mass of shadow and flesh. The thin, metallic wires spilling from his fingers catch the See more