The installation is situated within a white-cube space that retains subtle traces of domestic life. Its structure draws from the provisional logic of informal dwellings, constructed with wood panels, metal scraps, concrete dividers, and dismantled components from old household appliances. The overall scale remains modest—deliberately constrained to what a single person could assemble—avoiding visual heaviness while allowing clear passageways. Viewers are invited to enter the installation; their bodies remain close to the structure yet unconfined by it. Illumination is minimal, with faint light filtering through structural seams, producing a heterogeneous dimness. Small speakers, each less than 10 centimeters in diameter, are inconspicuously embedded into surface elements and remain visually understated. These emit directional sound that subtly guides audience movement and orientation. Rather than serving as an object of display, the structure mediates acoustic events—where reflection, diffraction, and delay arise through contact with material surfaces. The audience's embodied presence and listening become integral to the spatial experience, transforming the architecture into a threshold medium where sound interweaves with matter. See more