A surreal, ethereal wide-angle painting of a solitary deer standing under a glowing vintage lamppost in the middle of a dark, expansive desert at night. The scene is captured with the hyperreal cinematic quality of a camera with a modified NASA lens with a very wide aperture (f/0.7) on the Mitchell BNC camera. Wide angle shot. The desert is textured with saguaro cacti and subtle flora, rendered in soft focus. Very lush. Dramatic cumulus clouds tower in the sky, illuminated by a celestial light reminiscing of the romantic period of art with light shining through them. The ground is patterned with shadows cast by the lamplight, inspired by Jun’ichirō Tanizaki’s philosophy of shadow and light. The deer gazes off into the void, bathed in warm lamplight, embodying loneliness, vulnerability, and quiet transcendence. The scene evokes a sense of being on the edge of dream and reality—mysterious, timeless, and sacred. Objects in the work may appear incidental, yet each serves a purpose in reflecting the artist’s internal landscape. The animals act as mirrors; the symbols, as fragments of lived experience. These are not simply images to observe, but moments to feel—quiet invitations into the layered space between thought and instinct. See the natural world as a cycle of life and death, where the deer plays a crucial role. It is a cycle of life, death, and rebirth, and it is believed that the spirit of the deer evolves and becomes integrated into this cycle. Please take things to the See more