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A bald man in a suit walks on a road, dragging a Victorian room with a chain, his head turned backward in a surreal landscape.

A bald man in a suit walks on a road, dragging a Victorian room with a chain, his head turned backward in a surreal landscape.
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A full-body shot of a man walking forward on a simple, paved path that leads to a bright, neutral horizon. His body is oriented and moving directly forward. However, his head is rotated a full 180 degrees at the neck to face directly behind him. His expression is one of intense, pessimistic fixation on what is behind him. A single, thick chain is taut, stretching in a straight line from a heavy-duty hook on the chest of his jacket to a large, heavy object he is dragging. The chain is under clear tension. The object being dragged is not a room attached to his back, but a full, furnished, life-sized Victorian-style sitting room, complete with a rug, a chair, and a framed picture on the wall. The room is clearly separate from the man, positioned several feet behind him on the path, and its base is scraping along the ground, kicking up dust. It is being physically pulled forward, resisting the movement. The overall mood is darkly humorous and surreal, emphasizing the immense, literal effort of dragging the past into the future while refusing to look where one is going. Key Mandatory Instructions: Head Position: The man's head must be rotated 180 degrees to face backwards, not just turned slightly. Chain: The chain must be taut and visibly under strain, connecting from his chest to the room behind him. Room Position: The room must be a separate, distinct object on the path behind the man, not attached to or surrounding him. Novel Composition: This image must not resemble a person See more

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