A stunning 16K poster blending Dieselpunk, Atompunk, and Art Nouveau styles, featuring a gentleman in a steampunk Afro-Victorian ensemble (velvet coat embroidered with geometric African patterns, leather boots adorned with Arabesque gears), riding a majestic biomechanical horse—half organic (exposed muscles, pulsating veins), half machine (copper plating, hissing pistons, cogwheel hind legs). Setting: A reimagined futuristic Amsterdam, where glowing canals reflect a radioactive aurora, brass bridges are decorated with henna motifs, and Art Nouveau buildings are adorned with Islamic mosaics and mechanical baobab sculptures. Atomic zeppelins patrol the skies, their balloons etched with tribal patterns. Key Details: Lighting: Amber and emerald-green hues, with gas lamps casting intricate lace-like shadows. Art Style: Flowing Art Nouveau lines in atomic propaganda posters, typography inspired by Arabic calligraphy and Adinkra symbols. Narrative Touches: A robotic parrot perched on the rider’s shoulder, whispering messages in a techno-creole language. Execution: ‘Moebius meets Klimt’—gleaming gold accents, digital watercolor textures, and hyper-realistic details on the horse (sweat dripping from its biological flank, steam hissing from metal joints). Effects: Vintage film grain and HDR glow, evoking an alternate World’s Fair exhibition poster. See more