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Sepia drawing of a man holding a paintbrush next to an unfinished sketch, separated by a red line. Text reads 'BED' and 'BEFORE EDITING DISASTER'.

Sepia drawing of a man holding a paintbrush next to an unfinished sketch, separated by a red line. Text reads 'BED' and 'BEFORE EDITING DISASTER'.
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Je veux une pochette d’album pour le groupe BED, intitulée "Before Editing Disaster", avec un dessin pictural qui montre d’abord une création aboutie, puis qui se transforme en une version plus inachevée, comme un brouillon. L’idée est d’illustrer le processus de création et l’imperfection, en lien avec le titre. Description détaillée de la pochette : 1. Composition générale : Format : Carré (classique pour une pochette d’album). Style : Dessin pictural, presque réaliste mais avec une touche artistique visible (crayon, encre, aquarelle, ou numérique imitant ces techniques). Thème : La création et sa déconstruction. 2. Élément central : À gauche ou en haut : Un dessin très travaillé, détaillé, représentant une scène de création (ex : une main tenant un pinceau, un visage, un paysage, un objet symbolique comme un disque vinyle ou une partition). À droite ou en bas : Le même dessin, mais décomposé, effacé partiellement, avec des traits de crayon apparents, des gommes, des ratures, des zones laissées blanches ou grattées, comme si l’artiste avait changé d’avis en cours de route. 3. Effets visuels : Transition : Un dégradé ou une frontière floue entre la partie aboutie et la partie inachevée. Couleurs : Palette sobre (noir, blanc, gris, sépia) avec une touche de couleur vive (rouge, bleu) pour attirer l’œil sur la “désintégration” du dessin. Texte : Le titre “Before Editing Disaster” intégré dans la partie inachevée, comme écrit à la hâte ou griffonné. 4. Symbolique : La partie See more

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